Only a truly paranoid censor would ban a book this innocuous. But even barely there smut can give convent-school girls ideas…
S4 E3 Hex & Sex: Smith ‘The Passionate Witch’ (1942)
S4 E2 Ravishing: Anon ‘The Lustful Turk’ (1828)
Why on earth was antique erotica, with its hilarious genital metaphors, censored in Ireland? This titillating text was officially ‘obscene’ for more than one hundred years.
Season 4 Begins 7 January 2021!
Here’s the episode list which ranges from the bizarre to the historically weighty. And yes, the censors were still banning in 1992.
Madonna, Sex (1992): banned after it sold out…
Anon, The Lustful Turk (1828): proper porn with a lot of racist tropes.
Margaret Mead, Growing up in Samoa (1928): scholarly but smutty.
Denis Wheatley, To the Devil, a Daughter (1953): time for more Satanism!
Radclyffe Hall, The Well of Loneliness (1928): a queer text whose author scandalized London.
Thorne Smith, The Passionate Witch (1941): phallocentric fluffy smut.
Kate O’Brien, The Land of Spices (1941): a remarkably beautiful book offering powerful critiques of nationalism and religion in Ireland
John McGahern, Deep Dive Part One: The Dark (1965) : a book that reformed the censorship law deserves proper scrutiny.
John McGahern, Deep Dive Part Two: The Dark (1965)
The Irish language episode: still thinking about which book…
BONUS Joyce, ‘Ulysses’ (1922): banned almost everywhere *except* Ireland
S3 Bonus Thick Thighs: O’Brien, ‘At Swim Two Birds’ (1939)
O’Brien was that rare thing: an Irish writer who was never banned in Ireland. A book that was less a plot and more a conspiracy confused the filthy-minded censors.
S3 E9 Compulsive wanking: Roth ‘Portnoy’s Complaint’ (1969)
Why did the Irish censors ignore this spectacularly rude book? And why is a novel about a sex-obsessed Jewish man so important in the history of censorship in Australia?
S3 E8 Satanic Love Triangle: Mannin, ‘Lucifer and the Child’ (1947)
What happens when a child meets a horned man in a dark forest? A books that explores the nature of evil and decides that sex isn’t the problem.
S3 E7 Queer, with cocktails: Moore, ‘Chocolates for Breakfast’ (1956)
A candid, haunting novel about the coming-of-age of a teenage girl. Full of decadent sexuality that would have given the censors a fit of the vapours.
S3 E6 War is hell: Boell, ‘And where were you, Adam?’ (1951)
How did a subtle, refined war novel earn a ban? Perhaps the faeces and war crimes were more offensive than the barely-there sex.
S3 E5 Unzipped! Collins, ‘The Stud’ (1969)
This is a silly rather than sexy book. Why on earth was such a trashy, ridiculous banned when the censor ignored sex in serious literature?
S3 E4 Perverty Stuff: Salinger, ‘The Catcher in the Rye’ (1951)
Holden Caulfield’s swearing and sex talk has offended many since 1951. This book is now a modern classic but why is a story of a poor little rich kid still read and enjoyed today?
