Low and vulgar: Cross, ‘The Tailor and Ansty’ (1942)
Voluptous jazzing: McKay, ‘Home to Harlem’ (1929)
Such badness: Hoult, ‘There were no windows’ (1944)
Perverty stuff: Salinger, ‘The Catcher in the Rye’ (1951)
Unzipped! Collins, ‘The Stud’ (1969)
War is Hell: Boell, ‘And where were you, Adam?’ (1951)
Queer, with cocktails: Moore, ‘Chocolates for Breakfast’ (1956)
Satanic Love Triangle: Mannin, ‘Lucifer and the Child’ (1946)
Compulsive wanking: Roth, ‘Portnoy’s Complaint’ (1969)
Mass perversion: Comfort, ‘The Joy of Sex’ (1972)
BONUS Thick thighs: O’Brien, ‘At Swim Two Birds’ (1939)
BONUS Republican Love Triangle: Broderick, ‘The Fugitives’ (1962)